Doubtless, cartooning as an art form and sociocultural expression remains a valid means of collating a people’s life experiences, as well as engineering for them an acceptable social mode through constructive criticisms and applause. Yet, this subject has suffered undue neglect among social scientists and other scholars. This shortcoming is even more apparent in Nigeria where cartoons are granted, at best, no more than a grudging appreciation and, at worst, indifference.
Pictorial form of communication can be said to have existed as long as man himself. In Africa, proof of drawings, paintings and engravings- rock art which is precursor of the cartoon- is available in a variety of sources and oddly enough was discovered earlier than the European ones. Dating these has been rather difficult. Man being perhaps the highest social creature is known to devise clear means and processes of organizing and controlling its teeming populace wherever they commune for development.
Cartoon a visual image, known to be a medium of communication- conveying message quickly and clearly- is one critical component of the development of political processes. Of the various visual forms and illustration genres in modern times, the cartoon is perhaps one of the most usual. It is said to be a visual metaphor or metaphorical codification through which an artist (a functional member of the polity and keen societal gauge trained in close observation), informs, educates or entertains his viewers. Furthermore, it has been classified as a form of ‘cool media’ Nelson argues that cartoon is a screaming medium that cannot be denied attention.