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PROJECT TOPIC: HISTORICISM AS A LITERARY DISCOURSE: A STUDY OF ISIDORE OKPEWHO’S THE LAST DUTY, ELECHI AMADI’S SUNSET IN BIAFRA AND BIYI BANDELE’S BURMA BOY

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CHAPTER ONE: INTRODUCTION 1.0       BACKGROUND OF THE STUDY As  Chidi  Amuta (1988)  puts  it,  the  Nigerian  civil  war  literatures  represent  a ―significant              step             towards                         the politicization     of               the                Nigerian                             literary                   imagination‖. Similarly the Second World War has also continued to attract intellectual discourse especially by African Scholars on the role played by Africans in its prosecution. Such treatises have often questioned the rationale behind the participation of Africans in a war that was not theirs. However, analysts of the international political system such as Louis J. Halle (1984) and K.J. Holsti (1972), have dubbed the Second World War as ‗the war to end all wars‘ on accounts of its gruesome devastation. The depiction of the horrors of Second World War has further fuelled the resentment of African intellectuals such as Frantz Fanon, Aime Cessaire against the involvement of Africans. The two war situations provide the setting for writers to accentuate and articulate the devastation suffered by individuals and societies. As evidenced by historical records and literatures, the two wars occasioned physical suffering and psychological dislocation. However, despite these gruesome effects, the two wars serve as platforms for Africans and Nigerians respectively to reassess their conditions and the means by which they contribute to nation-building, world peace and progress.


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